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White-Wheeled Limousine

White-Wheeled Limousine features: Bruce Hornsby (piano, vocals, synthesizer); Jimmy Haslip (bass); John Molo (drums); J.T. Thomas (organ); Debbie Henry (backing vocals); John Dearth (trumpet); Bobby Read (saxophone); Bela Fleck (banjo), Pat Metheny (guitar).

White-Wheeled Limousine meaning of the song

Setting the scene

In White-Wheeled Limousine, Bruce Hornsby tells a poignant and darkly ironic story about infidelity, deception, and the complexity of relationships surrounding a wedding day. The song begins by painting a vivid image of the wedding scene, with the bride arriving “in a long white gown” and the band playing “with no one around.” This setting establishes a contrast between the festive occasion of a wedding and the underlying tension and betrayal that will unfold.

The phrase “the rice was gone oh hours ago” further emphasises the passage of time and the fading joy of the celebration, suggesting that the wedding’s festive elements are now merely remnants of what should have been a joyful occasion. The “white-wheeled limousine,” a symbol of the wedding and the couple’s new life together, stands “alone,” foreshadowing the isolation that the characters will face due to the impending betrayal.

The story of betrayal

As the narrative progresses, Bruce introduces the characters’ backstory, revealing that the groom and bride met at a club where “the brasses blow” and “the wine did flow.” This setting suggests a vibrant, possibly hedonistic lifestyle, hinting at the groom’s propensity for infidelity. The lines about the groom finally gaining “the nerve” to propose underscore a sense of urgency and desperation, indicating that he may have felt compelled to commit despite his wavering fidelity.

The pivotal moment occurs when the groom is caught “in the bushes” during the wedding day, illustrating the dramatic irony of the situation. The moans and groans heard from the bushes imply a secret liaison that starkly contrasts with the wedding’s supposed sanctity. This shocking revelation not only tarnishes the celebration but also reveals the groom’s moral failing on what should be one of the happiest days of his life.

The bride’s perspective

The bride’s emotional turmoil is captured in the lines “She didn’t want to think that she lived a lie” and the mention of “a wandering eye.” These lyrics express her inner conflict and suspicion about the groom’s fidelity, highlighting the tension between her desire for love and the painful truth of her situation. The line “It took a fair-minded man not to wonder aloud” suggests that even those close to the couple may have suspected the groom’s unfaithfulness, further complicating the bride’s feelings of betrayal and disappointment.

The repetitive chorus reinforces the isolation of the bride, encapsulating her heartbreak as she walks “into town in a long white gown” while the wedding celebration continues in the background. The emphasis on the “father of the bride drinking so slow” implies a sense of resignation and sadness, as he witnesses the unraveling of a dream.

Exploration of themes

Overall, “White-Wheeled Limousine” is a rich exploration of themes such as betrayal, the fragility of love, and the consequences of infidelity. Bruce’s storytelling conveys the emotional weight of a wedding day overshadowed by deceit, capturing the heart-wrenching complexity of relationships. Through vivid imagery and poignant lyrics, the song invites listeners to reflect on the contrasts between appearances and reality, love and betrayal, and the inevitability of facing the truth, no matter how painful it may be.


Your further thoughts

Hornsby is a master of the dark tale, as has been shown in Valley Road and other songs. Often, he has disguised the meaning of the song. The Show Goes On is one great example. However, there’s no mistaking the theme of White-Wheeled Limousine; a wedding-day infidelity which happens in the church grounds as the groom is arriving at the church!!! I need not say much more, suffice to say that after the event,”The father of the bride is drinking so slow”. The musical interest of the song stems from some fine bluegrass banjo solo playing.

Country Doctor is another classic Hornsby dark tale, with a similar rural feel to, for example, Preacher in the Ring. In this instance, I think the doctor has poisoned his wife (with the stuff in the “bottles unmarked”) in order to start a relationship with another woman. If the story is too depressing, then just fast forward to the middle instrumental section, which some hallmarks of a Hornsby and the Range instrumentation: Organ background, electric guitar playing in quite a tight harmony.

However, it’s my opinion that on Hot House there is a certain depth to the instrumentation and harmony which I don’t think was heard with the Range. There’s just one puzzling line at the end, written I think from the author’s perspective, which I haven’t grasped the significance of:

“My wife told me one day, I remember kind of strangely, at a friend’s wedding one day, it was a look that he gave me”.

Carwyn Tywyn

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Cumberland, MD
w/Ricky Skaggs and Kentucky Thunder
Audience recording
May 24 2014